Patrick Fatica: Wednesday, July 19th

Wednesday, July 18, 2012

Wednesday, July 19th

This Third Thursday During The Art Walk

XL gallery prides itself on finding, showing and selling the very best in contemporary, and lowbrow art. Located in the South Eola district of downtown Orlando, XL Gallery is open 7 days a week and offers a full liquor bar with a killer absinthe menu and craft beer selection.

Metal Dyed Prints
All 13 limited edition metal prints (#3 and #4 of the series) will be available at XL gallery on Third Thursday July 19th. All #1's and #2's have been sold. Get there early to purchase!

2 comments:

NatashaJuly 19, 2012 at 5:32 PM
I love love love that Yoda! Your art is amazing! My hometown is Sarasota - so many talented artists come from there- through Ringling.
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Patrick FaticaAugust 29, 2012 at 8:49 AM
Thanks a lot! I have that image as a limited edition print!
http://www.faticaarsenal.com/product/you-would-destroy-all-for-which-they-have-fought-and-suffered-metal-print
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BIO

His paintings have been called, “a sublime blend of Tim Burton and Botticelli” by the Baltimore Examiner. Patrick Fatica attended Ringling School of Art and Design from 1990 to 1994. He moved to Orlando, Florida in 1995. He spent the first few years developing a production company with a few friends called Eat Cake Productions. He directed several original plays and the 16mm film “Five Miles from Heaven,” which appeared in festivals around the country. After completing the film, he and his two business partners created 2 music venues on the east side of Orlando and downtown Orlando called Back Booth. After almost a decade of traveling down different artistic paths, he picked up the paintbrush again and dedicated himself to his painting. With over 40 shows between 2007 and 2009 Patrick’s Pop-Surreal portraits have spanned from Los Angeles, CA to Madison, WI. Recently the Orlando Weekly said about his solo exhibition, “Operating on the edge between street and highbrow art, Fatica’s world is dark and devoid of highbrow puffery, instead depicting a surreal, nihilistic future inspired more by David Lynch’s Eraserhead than the bright futurism explored at the 1939 World’s Fair.”