Patrick Fatica: Series

Showing posts with label Series. Show all posts

Friday, September 23, 2011

October 1st

On October 1st at 12 Noon I will release "We Couldn't Let Rosemary Go - She's Shackled In The Cellar" as a limited edition print. It is in a very small series of just 20. I have personally hand embellished each print. They are also signed and numbered. The image size is 6.5"x12" and is printed on watercolor paper. It comes with a letter of authenticity. You can purchase it at my store www.faticaarsenal.com

Thursday, February 18, 2010

Something Bendy This Way Comes....

Started a new series of paintings on bendable Luan panels. I'm using the bends in the boards to force perspective... So far so good. I'm expecting to have around 5 in the series... I just started the painting on this one yesterday. I built the framework last week.

This was the first bendy painting. You will have to wait for the show (undetermined as of yet) to see all of them.

BIO

His paintings have been called, “a sublime blend of Tim Burton and Botticelli” by the Baltimore Examiner. Patrick Fatica attended Ringling School of Art and Design from 1990 to 1994. He moved to Orlando, Florida in 1995. He spent the first few years developing a production company with a few friends called Eat Cake Productions. He directed several original plays and the 16mm film “Five Miles from Heaven,” which appeared in festivals around the country. After completing the film, he and his two business partners created 2 music venues on the east side of Orlando and downtown Orlando called Back Booth. After almost a decade of traveling down different artistic paths, he picked up the paintbrush again and dedicated himself to his painting. With over 40 shows between 2007 and 2009 Patrick’s Pop-Surreal portraits have spanned from Los Angeles, CA to Madison, WI. Recently the Orlando Weekly said about his solo exhibition, “Operating on the edge between street and highbrow art, Fatica’s world is dark and devoid of highbrow puffery, instead depicting a surreal, nihilistic future inspired more by David Lynch’s Eraserhead than the bright futurism explored at the 1939 World’s Fair.”